THE SOUND PARADIGM OF VASYL STEFANYK’S NOVELLA «A STONE CROSS»

The aim. article suggests a new view on the organization and structure of Vasyl Stefanyk’s novella “A Stone Cross” that determines elucidation an intermedial issue in analysis writer’s famous work: unity word sound palette fictional text author’s prose. Therefore, aim is to study through prism one general tendency creative synthesis literature art, methodological approaches interpreting phenomena intermediacy novellas classic our national literature. 
 research methods. For principles methods scientific researchis implemented, first all, intertextual, comparative-typological, intermedial, poetological biographical ones. results. interpretation verbal music-sound aspects promotes understanding rich senses well-known work. That why selected poetic each part most acceptable for researching textual longevity sounds music novella’s structure. In process paradigm work, its groundbreaking essence, peculiarity style, modern poetics are proved undoubtedly affected precision powerful energy form. novelty. there achieved reading Cross”, time performed contour by means which subtexts hidden work decoded. Such cutting-edge approach proposes fresh Ukrainian modernistic searches: sound, music, song, dance identify main hero Ivan Didukh, generally psychologise practical significance. obtained results may be used further from positions contemporary literary studies, particularly proposed interpretational segments poly-aspectual deep contents has already become classical both sphere education studies today’s researchers